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'Prog Rock'

Listen to 
Pink Floyd
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Supertramp
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Mike Oldfield-Tubular Bells Part 2

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To quote one author: 'In a few short months

around late 1963 and early 1964 an event

occurred which would impact upon all 

American popular culture, including the

recording industry, the style of popular music,

clothing styles, and even the acceptable length

of male hair: America discovered The Beatles.

The immediate and universal success of

records by this British group amounted to 

nothing less than a revolution in music and 

public taste. `Folk’ per se, was out, and ‘Rock’

 - just Rock now, not Rock n Roll was in. 

Throughout the rest of the decade The Beatles

would be stylistic leaders. As such the age of

“Beatlemania” is considered to have spanned

the years 1963-1968, with their most

influential album and perhaps their greatest 

masterpiece was Sgt Peppers Lonely Hearts

Club Band (1967).' (sources)

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The Beatles - Sgt Pepper's Lonely Hearts Club Band

The new trend in Rock in Britain and the US, sometimes called ‘Progressive Rock’, 

was characterised by a heavier, yet more complex beat and freer musical forms than 

those of Rock n Roll. The Rock of the 1960s had lyrics that ranged from social protest, 

through love and explicit sex, to drug references and obscure philosophy. Rock made

increased use of electric instruments and amplification. Following the lead of Dylan and

the Beatles, most of the new Rock singers and bands wrote their own songs. This Rock 

style soon affected all of the younger artists. Even Dylan began to use an electric

guitar  in the mid-1960s and, like other former folkies’, developed new types of songs

and a new performance style. 

The Moody Blues - A Question Of Balance

Pink Floyd - Dark Side Of The Moon
Progressive Rock (aka Prog Rock) is considered to be a sub-genre of Rock Music. It 

originated in the UK and then caught on around the Western world throughout the mid 

to late 1960s and 1970s. It was a British attempt to make  Rock music more

sophisticated , credible and with much more artistic weight. Heavily influenced by 

'Psychedelic Rock' and ‘Art Rock’, it was an attempt to have Rock accepted by the

establishment as a pure genuine form of music. In doing so Progressive Rock intended

to break the boundaries of traditional Rock music by incorporating  greater and more 

eclectic range of influences, with freer forms and much more experimentation and use

of technological music innovation and instruments and the incorporation of eastern and

other world music influences.

BBC Prog Rock Documentary



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ELO - So Fine
One major characteristic of this new sophisticated genre of Rock was the ‘Concept’

Album built around themes and stories – even fairy tales. Some  included historical, 

fantastical, and metaphysical themes. Some of these albums for example were the 

Mothers of Invention's Freak Out! (1966), the Beach Boys' Pet Sounds (1966), The 

Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967), The Who's The Who Sell Out'

(1967) and The Moody Blues' Days of  Future Passed (1967). Notable Progressive 

Rock concept albums also included Emerson, Lake & Palmer's Tarkus (1971), Pink 

Floyd's The Dark Side of the Moon (1973), Wish You Were Here  (1975), Animals

(1977), The Wall (1979), Yes' Tales from Topographic Oceans (1973), Genesis' The

Lamb Lies Down on Broadway (1974) and Jethro Tull's Thick as a Brick (1972).

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Prog - Rock Albums
ELO - Shangri-La

Progressive Rock became very popular throughout the 1970s, with bands such as Pink 

Floyd, King Crimson, Yes, Supertramp, Jethro Tull, Genesis, Emerson, Lake & Palmer

and The Moody Blues. By the late '70s however, it had begun to fade as Punk emerged

and gained in popularity in a move back to garage band basics. The rise of Disco, Funk,

Hard Rock, Hip Hop and other genres also took their toll. However  Progressive Rock 

bands were able to achieve commercial success well into the 1980s. By the turn of the 

21st century, it witnessed a revival, often known as 'New Prog', and has, ever since, 

enjoyed a cult following. The genre has influenced several other styles, ranging from 

'Krautrock' to Neo-Classical Metal; it has also fused with several other forms of Rock

 music to create sub-genres, including Progressive Metal.

Jethro Tull - Aqualung

Progressive Rock's popularity peaked in the mid-1970s, when Prog artists regularly 

topped reader polls in mainstream popular music magazines in Britain and America, 

and albums like Mike Oldfield's Tubular Bells topped the charts. In the 1970s the vast

majority of fans of the genre were white males. At that time audiences were reserved in

their behaviour tending to sit and intently concentrate on the performance. This 

contrasted with more overt and emotional reactions of audiences of other Rock music 

genres. In the late 1970s, Great Britain was going through difficult times due to a poor 

economy, frequent strikes and shortages. With its exotic, literary topics, much of 

Progressive Rock was dismissed by British youth. Punk rock, a simpler and more 

aggressive style of Rock emerged in this era, determined to push Rock back to 3 chord

12 - bar blues. And Disco, which also emerged during this period, both helped move 

critical opinion and popular support in the UK away from Progressive Rock, thus 

ending the genre's reign as a leading style there. By the end of the 1970s Progressive 

Rock had fallen into disrepute. It was dismissed as overblown, pretentious and elitist.

Emerson Lake & Palmer - Fanfare For The Common Man

One commentator, Bruce Eder claimed  that "the rot" in Progressive Rock "started to 

set in during 1976, the year Emerson, Lake & Palmer (ELP) released their live album

Welcome Back My Friends". Eder claims that this album was "suffering from poor 

sound and uninspired playing" which "stretched the devotion of fans and critics even 

thinner." He claims that "the end [of Progressive Rock] came quickly: by 1977, the new

generation of listeners was even more interested in a good time than the audiences of 

the early 1970s, and they had no patience for 30 minute prog-rock suites or concept 

albums based on Tolkienesque stories. Overall - the genre ‘has received both a great 

amount of critical acclaim and criticism throughout the years. Progressive Rock has 

been described as parallel in quality to some classical music nonetheless, its grandiose 

themes have often been criticised for being over-the-top, and in many ways, the 

simplicity of punk grew out of a reaction against the elaborate nature of Progressive 

Rock (sources).




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